Description

A bird with a cry like a cell phone says something
to a bird that sounds like a manual typewriter.

 Out of sight in the woods, the creek trickles
 its ongoing sentence; from treble to baritone,

 from dependent clause to interrogative.

The trees rustle over the house: they are excited
to be entering the poem

in the late afternoon, when the clouds are creamy and massive
as if to illustrate contentment.

And maybe a wind will pluck pff the last dead leaves;
and a cold rain will splash

dainty white petals from the crab apple tree
down to the ground,

the pink and the ground mingled there,
like two different messages scribbled over each other.

In all of this place must be
reserved for human suffering:

the sick and unloved, the chemically confused
the ones who believed desperately in insight;
the ones addicted to change.

How our thoughts clawed and pummeled the walls.
How we tried but could not find our way out.

In the wake of our effort, how we rested.
How description was the sign of our acceptance.


 -- Tony Hoagland